EPIC Vinyl Haul

It’s been a mere six weeks since my last haul video, but I’ve gathered quite a few gems in that time. Not only have I been finding some fantastic things on the interwebz, but I visited two new record shops a few weekends ago and scored some of my best finds so far this year.

I’m not too sure why it’s taken me so long to visit the record shops in Florence, MA, considering the town is only a little over an hour away from me, and I’m in nearby Northampton quite often. I’d been meaning to check out Wild Mutation Records, but they announced early this year that they were closing up shop and moving to Philadelphia. I was a little bummed I never made it there because I’d heard good things about their punk selection, but I still wanted to stop off in Florence to check out Feeding Tube Records.

A few weeks back, I discovered that Feeding Tube had a record I really wanted to get, so I started to plan my trip for the weekend. In browsing through their Facebook page, I noticed that they recommended a new record shop (Electric Eye Records) that opened in the space once occupied by Wild Mutation. I checked out their page and saw a photo with three Bikini Kill records, and that’s when I knew I had to go there. The photo had been posted ten days earlier, so I wasn’t expecting those records to still be hanging around. But the shop had opened only three weeks ago, and my hope was that not enough people knew about it yet to grab all the good stuff.

Saturday I headed off bright and early, stopping first at Electric Eye Records. The shop was small, but stocked well. My partner in crime (hereafter referred to as PIC) pulled out a Kill Rock Stars compilation for me, and then found the three Bikini Kill records I was hoping would still be in the bins. Bikini Kill only put out three seven inches, all on Kill Rock Stars. They also had a seven inch with Team Dresch, but these were the only three that were just them. The covers were perfect, and the records were mint. I was floored. Plus they were exactly the right price. The owner, Andy, was a really nice guy. He gave me the KRS comp for free, which was pretty sweet. I know I’ll definitely be stopping in there again the next time I’m around Northampton.

Next up was Feeding Tube. I went in knowing that I wanted to pick up the three-LP YoYo a GoGo compilation, and a Dub Narcotic Sound System record with a guest performance by Miranda July. They have a nicely curated selection of records out in bins, and then they have their online inventory stored in the back. I cruised around and looked through the seven-inches, which were categorized by geographical area. The Northwest section was made just for me. I found a K Recs International Pop Underground single for Girl Trouble in pretty good condition. The owner pulled out the records I’d seen online, and I was thankful that the YoYo a GoGo comp had really clean, NM records, and a decent cover, with the exception of a little creasing along the bottom from being improperly stored at one point. He gave me an excellent deal on the comp, and I was so thrilled to have that in my hands. Live 1994 recordings of bands and artists like Excuse 17, Heavens to Betsy, Unwound, Karp, Team Dresch, Lois Maffeo, Beck, Halo Benders, Fitz of Depression, Neutral Milk Hotel, Mecca Normal, and so on. Killer, right?

Between that and the Bikini Kill records, it was definitely my best in-store finds of the year. Vinyl karma was on my side Saturday. Watch my haul video to see what else I’ve picked up over the past six weeks.

Second Record Haul Video!

After a month of collecting some gems off the interwebz and a successful record shopping trip to Boston and Worcester, MA, I decided it was time for another record haul video. I scored some excellent Kill Rock Stars and Villa Villakula gems, and grabbed a few new items I’ve been wanting. So check it out!

I’m new to these videos, so let me know your thoughts. Am I speaking too slowly? Too quietly? Do I need a haircut? The answer is most definitely yes to that last question. But in all seriousness, I’m looking for some feedback. I’d like to grow this venture a little and try to reach some other women out there. Strength in numbers. I’d love to know what experiences my sisters in vinyl collecting have had, and I’d love for all of us to gain more visibility and recognition in the collecting world. Our voices and knowledge and collections deserve that. It isn’t just a boys’ club; obsessing over music and records is for everyone.

Record Collecting Girl Style Now

record

For a long time when I started collecting vinyl, I didn’t really pay attention to the people around me when I was digging through crates of dusty records, or skimming through brand new stock in a new record store.  But on Record Store Day last year, I looked around at all the others waiting in line, and I noticed that they were almost exclusively men — the only women in line seemed to be tethered to husbands, boyfriends, brothers, whatever.  Inside the store, there was a woman waiting in line to pay in front of me, and one behind me.  “Cool,” I thought.  “Here are the women who collect vinyl.”  But then they started talking about how they were there picking up items for male relatives.  I was suddenly fascinated by this phenomenon.  Was collecting vinyl a mostly male endeavor?  Was I unknowingly stepping into a boys’ club?

After that, I started paying attention at record stores.  And, yes, I was usually surrounded by men.  It occurred to me that all of the sellers from whom I’d purchased records on Discogs or eBay were men.  It also seemed to me that a good portion of the users on the Discogs forums were also men.  Poking around record-collecting message boards, I unearthed a series of very disturbing posts about women who collect vinyl.  Here’s just one gem of a response (and there are hundreds more) to the question, Do you know any women who collect vinyl?

I sell to a few, but I think most are the buying accounts for their male partners.  I rarely see any women at the record fairs either unless they’re pissed off/nagging some bloke to hurry up.

I’m planning a future post dedicated to these idiotic, sexist comments. But for now, I think that one example shines a light on the general attitude towards women who do collect.  Why would a seller assume that I’m buying for a male partner?  Because women don’t/can’t appreciate music, or have knowledge about music, records, and collecting?

Once I started to notice these assumptions about women who insert themselves into the world of record collecting, I started thinking about Amanda Petrusich’s book, “Do Not Sell at Any Price.”  When I had first heard about the book prior to its publication, I was excited to read it.  The premise sounded interesting, and I liked the idea that it was written by a woman.  But the first set of reviews on Amazon proved to be less than stellar, and so I decided to put off reading the book.  But now I was curious.  Were these bad reviews written by men who had similar views on female vinyl collectors and women who dared to assert some sort of knowledge about the industry?  Or was the book truly not all that great?

I picked it up from my local library, and I couldn’t put it down.  I loved it.  I thought it was a great personal account of someone falling in love with the music, the chase, the feel of vinyl or shellac in their hands.  I also liked her journalistic approach, because it taught me a few things I didn’t know about some of the rarest 78 recordings.  But I figured out what some hardcore collectors might not appreciate about what Petrusich had to say: She wanted to know why this world of collectors was almost exclusively men, and she went so far as to consult medical experts to try and find a reason.  Of course, there isn’t a single reason, but she tossed around ideas like OCD, and Asperger’s, and the tendency to obsess and catalog being a heightened male trait.  Perhaps that pissed off more than a few (male) obsessive collectors.

But I’m a woman, and I’m obsessed with records too.  I think about vinyl far too often, and spend my lunch breaks browsing my favorite sites or record labels for future (or immediate, when it’s something rare) purchases.  There’s no better way to spend a weekend than record shopping, whether it’s at one of my favorite shops, or digging through crates of mostly junk records at flea markets or antique stores.  I don’t have a gigantic collection yet, but I add to it every month (I even have to give myself a budget so that I don’t spend all my money on vinyl).  A lot of very serious collectors would probably eye my oddball conglomeration of records and laugh.  I’m not out to purchase the rarest of rare records, unless that rare record happens to be from a band or artist I adore.  I’m not committed to any single genre of music; I like to dabble in several, since I love so many kinds of music.  My collection is a mixed bag.  But I’m still serious about it.  I know far too many details about pressings and record labels, especially the labels I love the most.  And I do have aspirations of collecting one particular label’s entire catalog, bit by bit.

I know there are more women out there who collect, and who are as obsessed as I am (maybe more).  After scouring the internet for months, I found a good handful of fairly well-known female collectors, but that was it.  Most are men.  And most of the forums are filled with men who believe that women can’t be collectors or don’t have real knowledge about music.  Not all of them feel this way — many guys I’ve encountered (including the owner of my favorite record store) see no difference between male and female collectors.  Neither gender is better or more knowledgeable or more serious than the other.  My breasts don’t reduce me to a dabbler or amateur in their eyes.  And that’s great.

But I have had guys take stacks of records they’ve been carting around a store and, without thinking twice, plop them right down on top of the row I’m flipping through.  And I have read those pages of sexist comments on the forums.  I’ve had guys push me out of the way at record shops, and I was actually mistaken for a man twice in the same night at a local shop because, well, of course I was a guy.  Women don’t collect records!  My fellow collectors didn’t even look at me before calling me “dude” and “man.”

I think about the women who might really want to begin collecting, but don’t know where to start.  They might go into a record shop to just look around and either be shoved around/aside, or ignored by the Barry Judd working the counter who doesn’t take her seriously.  They might go on those forums, read those comments, and feel they don’t have a place in this world.  Young girls who have an interest might be too afraid to step into a space that is so heavily occupied by boys.

And that’s why I created this blog.

I want a space where I can connect with other women who collect vinyl and love music as much as I do.  I want to highlight all the women collectors out there, because I know you’re there; I just haven’t found you yet.  I want to talk about our experiences, our white whales, and our passions — and hopefully inspire other women and girls to join the fun.

So hit me up!  Tell me your stories.  Let me interview you.  And follow along as I share my adventures (and misadventures) in record collecting.

**PLEASE NOTE: This is not a “women-only,” man-bashing space, but it will be a safe space.  Negative comments won’t be tolerated.  I encourage discussion, but not threats or bullying.**